In the future, rapidly advancing technology gives birth to giant robots known as "Labors," so named for their usefulness in heavy industry. However, this also gives rise to "Labor crimes," resulting the the need for a new branch of law enforcement equipped with and dedicated to the policing of Labors. When Izumi Noa, a female police officer, becomes the newest recruit of Special Vehicles Division 2, she and her top of the line "Patrol Labor" (or "Patlabor") Alphonse are swept into a series of adventures featuring crazed construction workers, eco-terrorists, and sea monsters.

A mysterious suicide and a series of unmanned robot run-aways sparks off a Police investigation into the suspicious software on-board thousands of industrial robots around Tokyo.

Set in the year 2000, when the level of Labor accidents begin to escalate around Tokyo Bay, police detectives Kusumi and Hata are assigned to investigate. What they discover leads to a series of government cover-ups, conspiracy concerning a new biological weapon entitled WXIII-Wasted Thirteen and a tragic, personal connection to Hata. The only hope to stop this threat is to cooperate with the military and lead WXIII into a showdown with the Labors of Special Vehicle Division 2.

Special Vehicles Division 2 is back on duty, along with their Ingram Patrol Labor (Patlabor) robots. Using their courage as well as the Ingrams, Captain Goto's motley crew of officers battle crime in Tokyo city. They also deal with their personal lives, as well as the supernatural.

A Japanese police unit who use giant anthropomorphic robots (called Labors) is caught up in a political struggle between the civilian authorities and the military when a terrorist act is blamed on an Air Force jet. With the aid of a government agent, the team gets close to a terrorist leader to stop things from going out of control when after the military is impelled to impose martial law.

In a world where giant robots are built and used for labor, a special police force of robots is created to handle crimes relating to these machines.

After the war, Kijima (Bunta Sugawara) returns to Tokyo where he meets Ôba (Noboru Andô), an Ex-Kamikaze pilot, and the two ruffians gather hooligans to join their group. In Ginza, the Togawa gang have taken over Sakurada's territory. After several fights Kijima and Ôba gain control of the territory by chasing out the notorious Togawa Group in the name of Sakurada. But Kijima is arrested for assaulting an American soldier. A few years pass. Kijima has served his prison term and the sears of war have been erased from Ginza. Ôba is now president of a company specializing in collection of bad debts, cheque frauds and everything that means money. People call their organization the “Private Police,” and Kijima begins to work for Ôba. Now the Takegami gang waits a chance to seize the Ginza territory.

On an unnamed island off an unnamed coast, things have begun to disappear: at first little things: ribbons and then roses. Soon, photographs. However, a rare few are able to remember all that no longer exists – but the Memory Police are determined to make sure that what has been erased, remains forgotten forever. When a young novelist realizes her book editor is one of those able to still remember, she hides him in a room beneath her floorboards. As the world closes in around them, they struggle defiantly to hold onto the truth.

Ranadheer and Ravikanth, two policemen, turn foes after Ravikanth gets involved in antisocial activities. Ranadheer then plans to prove Ravikanth is the culprit.

Police Academy: The Series is a syndicated 1997 television series spin-off from the Police Academy series of films. Michael Winslow was the only actor from the Police Academy films to have a recurring role on the show, although several of the film's cast made occasional guest appearances. The series was written by Paul Maslansky and produced by James Margellos and Gary M. Goodman. Music by Ari Wise and Jim Guttridge